Washington, D.C., United States of America
The National Endowment for the Arts (NEA), established in Congress in 1965, is an
independent federal agency that is the largest funder of the arts and arts education
in communities nationwide and a catalyst of public and private support for the arts.
By advancing equitable opportunities for arts participation and practice, the NEA
fosters and sustains an environment in which the arts benefit everyone in the United
States.
The NEA’s primary activities include grantmaking to nonprofit arts organizations,
public arts agencies and organizations, colleges and universities, federally recognized
tribal communities or tribes, and individual writers and translators. Grant applications
are reviewed by panels of arts experts and individuals from across the country. All
grants must be matched one-to-one by nonfederal sources, except for individual grants
to writers and translators. NEA funding is appropriated by Congress annually. For
a quick overview of our grants process, check out our animated video.
While the NEA’s primary activity includes grantmaking, it also is a national leader
in the field and a convener on issues important to the arts community and people working
at the intersections of arts and other fields such as health, community development,
and education, among others. The NEA is an important resource for research on the
value and the importance of the arts, and shares that information with stakeholders
and the public.
The NEA's new Strategic Plan and Equity Action Plan for fiscal years 2022 - 2026 provide
a blueprint for the agency to position itself as the lead agency within the federal
government for social and economic change through the arts and to build on current
processes already in place and implement new strategies to ensure the advancement
of fairness and equity.
Together, the Arts Endowment's activities support bringing meaningful arts experiences
to all Americans, helping to ensure that everyone in the country has the opportunity
to live artful lives.
film/video, 1990
This film HORSE HEAD, represents my internal gender and identity struggles through which I navigated, with no guidance or community. Fractured animation images of body, roses, skulls and metaphorical transformation images (the body wearing a horse head, entrapment, submersion ..etc.) throughout the visual landscape, represent this inner turmoil.
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