April Lin 林森 (b. 1996, Stockholm — they/them) is an interdisciplinary artist and independent curator investigating image-making and world-building as sites for the construction, sustenance, and dissemination of co-existent yet conflicting truths. Working across moving image, performance, creative computing and installation, they dream & explore & critique & fret & catastrophise & imagine & play — for a collective remembering of forgotten pasts, for a critical examination of normalised presents, and for a visualising of freer futures as, of course, imagined from the periphery. Interweaving strands of auto-biography, documentary, queer ecology, and new media, April Lin 林森’s works are topped off with an inevitable garnish consisting of the other matters dialoguing with their brain and heart during the making process of each piece. Uniting their genre-fluid body of work is a commitment to centring oppressed knowledges, building an ethics of collaboration around reciprocal care, and exploring the linkages between history, memory, and interpersonal and structural trauma. Their work has been shown at the Museum of the Moving Image New York, Sheffield DocFest, Alchemy Film and Moving Image Festival, the V&A Museum, HOME, Malmö Konstmuseum, LA Filmforum, Edinburgh International Film Festival, Manchester Art Galley, MADATAC, Arebyte Gallery, Lausanne Underground Film & Music Festival, NOWNESS Asia, and 4:3 Boiler Room.

April Lin 林森 (b. 1996, Stockholm — they/them) is an autistic artist-filmmaker investigating image-making as a site for the construction, sustenance, and dissemination of co-existent yet conflicting truths. They dream & explore & critique & fret & catastrophize & imagine & play with the potentials that the moving image holds — for a collective remembering of forgotten pasts, for a critical examination of normalized presents, and for a visualizing of freer futures as, of course, imagined from the periphery.