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Ilppo Anssi Pohjola is an independent filmmaker, producer and artist based in Helsinki,
Finland. His international breakthrough was Daddy and the Muscle Academy (1991), a
documentary about Tom of Finland.
Ilppo Pohjola works with the vocabulary of film, examining its structural and social
elements in order to create a body of work that pushes the limits of the medium's
physical possibilities. He works between the narrative tropes of Hollywood and the
deconstructive methodologies of independent film. The cumulative bodies of knowledge
in Pohjola's works are noticeable for their crispness of conception and excess of
information. Given his interest in the formal elements of filmmaking, the content
of Pohjola's works are surprisingly physical and sensual, even if assaultive.
A recurring theme running through all of Pohjola’s work is transformation – how a
person can change from one gender to another (P(l)ain Truth), how flesh and steel
can fuse in an apotheosis called the crash (Routemaster), what time and chemicals
do to film images (1 Plus 1 Plus 1 – Sympathy for the Decay). What all these films
have in common is their intoxicating imagery. Little that cinema has brought forth
in the past quarter century leaves the viewer as ecstatic, agitated and euphoric as
the films of Pohjola.
In addition to directing and scriptwriting, Pohjola works as a producer and has through
his company Crystal Eye produced Eija-Liisa Ahtila's films and cinematic installations
since 1993. He has directed several television documentaries and videos. Pohjola is
also known as a photographer and a graphic artist.
film/video, 1993
Director
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