Beneath The Light is a film that experiments with narrative to explore different mental/emotional states of the main character. The film is not intended to tell a story but rather to open doors and portals to situations that can be ordinary or extraordinary. Situations that we could all somehow experience during our lives. I consider this to be a dance film and much of the acting, editing and filming constitutes choreography that develops in time. Inspired by Ulrike Ottinger's episodic narrative, the film is an abstract spiritual procession in the life of a young actress trying to make sense of her immediate environment.