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San Francisco, California, United States of America
Canyon Cinema Foundation is dedicated to educating the public about independent, non-commercial,
experimental, avant-garde, and artist-made moving images. We manifest this commitment
by providing access to our unrivaled collection to universities and cultural organizations
worldwide, as well as cultivating scholarship and appreciation of artist-made cinema.
We ensure the experience of rare film works in their original medium while also reaching
new audiences through our growing digital distribution program.
Canyon Cinema’s unique collection of artist-made films – comprised of digital media,
8mm, Super 8, 16mm, and 35mm prints – traces the vital history of the experimental
and avant-garde filmmaking movements from 1921 to the present. With a strong emphasis
on American West Coast and San Francisco Bay Area filmmakers, we are the access point
to 3,400 ground-breaking works representing 280 artists.
Canyon Cinema began in filmmaker Bruce Baillie’s Canyon, California backyard in 1961
as a forum for filmmakers to share work with each other and the community. In late
1966, the filmmakers founded Canyon Cinema Co-op as a distribution company – established
as a cooperative, owned and operated by filmmaker members (it was formally incorporated
in 1967). In 2012 the membership voted to become a nonprofit. Today, Canyon Cinema
Foundation continues to serve as an essential resource for educators, curators, researchers,
and enthusiasts through our robust distribution program and online catalog. Since
successfully managing the transition to operating as a 501c3 non-profit in 2014, CCF
has made available 215 new and preserved works, and co-presented screenings with organizations
including the National Gallery of Art, Kadist Art Foundation, and the Exploratorium,
in addition to hosting an ongoing free series of artists’ salon at San Francisco’s
New Nothing Cinema.
film/video, 1996
A sensualist's dream that follows an androgynous cabaret performer on his search for the Beloved. A black-and-white homage to early sound film, this poetic narrative explores the complexity of being an artist in a world teeming with the mysteries of longing and death by charting the performer's journey through spaces representative of every major art form. Evoking Pabst and von Sternberg, its excessive, expressive visual style allows for the insertion of the androgyne/queer protagonist into an historic epoch of cinema from which he/she was absent or merely inferred: the late silent era. It is also a document of its featured performer: visual artist Rodney O'Neal Austin (the film's conceptualist) and his band Minnie Pearl Necklace.
film/video, 2019
A remake of Jack Smith’s 1969 depiction of Rose Kennedy.
film/video, 2019
RUN! is a mythography of nuclear technology, pesticides, and the question of transgender individuals fighting in the United State’s military. Filmed at the Trinity Site where the first atomic bomb was detonated, along the edges of the Los Alamos National Laboratory, at the abandoned Black Hole Museum of Nuclear Waste.
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